A music video producer and his team use the Sony Cinealta F23 to create two dramatically different visual narratives, in camera and on a budget »



 
   
 

Record, Decode and Edit Surround Sound with Holophone's H4 SuperMINI or PortaMic 5.1

Recording surround sound doesn’t necessarily require the complicated mic setups it once did. »
 

Review: HP DreamColor LP2480zx

The press release may promise something that's "revolutionary," but that's rarely the case. With the HP DreamColor display, however, the product could really live up to the hype. »
 


 Spotlight on Stock Footage: Phantom Slo-Mo

Shown for the first time at NAB, Artbeats' new Ultra collections are the latest additions to the company's Ultra footage line, which features 1000 fps slow-motion footage shot with a Phantom HD camera. »


 


Review: Vara Software ScreenFlow

Every once in a while we get a game changer, something that comes along that makes us rethink what we thought a certain category of products can do. ScreenFlow, for me, is that type of product.  »






Hot House: Film and Video Rewind

Advanced Digital Services is a state-of-the-art facility located in the heart of Hollywood. While its core business is duplication, the company will handle any video-related project that comes its way, including vaulting and distribution and, most recently, restoration. »

 



Magic Bullet Now Supports Sony Vegas

Red Giant Software has released Magic Bullet Looks 1.1 with new support for Sony Vegas 8. It includes plug-ins for Adobe After Effects, Final Cut Pro, Avid, Adobe Premiere Pro, Motion, and Vegas.  »

 




Spotlight on Stock Footage: Mammoth Red Clips

The Mammoth HD RED libraries feature footage "Shot on RED," referring to the 4K camera with the 4096x2048 pixel depth. »

 




Remove Unwanted Noise from Clips in Apple Soundtrack Pro 2

In this tutorial, I’ll show you how to reduce unwanted background noises that compete with your subject’s voice by setting a noise print in Soundtrack Pro 2. »


 


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